Excuse Me, Are Those Your Fangs in My Neck? Part Two

8 Apr

 I’ve just released the first half of my vampire book, The Chronicles of the Sanguivorous – The Rising as an eBook.  I had started the book almost two years ago after reading Charlaine Harris’s “True Blood” series.  Inspired, I knew I could write about vampires through the lens of my own specialty, historical fiction, and actually tell the history of civilization (albeit through the eyes of vampires) in the seven volume series.  I did enormous amounts of research about vampires’ historical/mythological origins and discovered they were first mentioned in early Mesopotamia, around the time that the city of Ur rose to prominence (or “Ur of the Chaldees” as the Bible calls it.)  This was a fortunate turn of events, because I had already versed myself in Mesopotamian history for my second novel, Day of the False King.

I had long been a devotee of Egyptian history, and the one thing you discover about ancient Egypt is how consistent its historical flow was when compared to other civilizations.  Protected by its deserts, Egypt developed slowly, always in the service and celebration of its God-Kings.  But the study of Mesopotamia (called Assyriology) is a heartrending hodgepodge of invasions, battles, and massacres.  The people of the river plains between the Tigris and Euphrates did not deify their kings; rather, whoever was in charge was simply called the Big Man; and these men changed with stunning swiftness.  Armies of invaders would sweep in, establishing a turbulent new culture, only to be swept away again a few generations later.  Egypt possessed regularity in abundance; Mesopotamia was all chaos and confusion.

So, getting back to the vampires, I had a good head start on my first historical locale.  I wrote about 150 pages of the book and then made the mistake of going to my public library and seeing the array of titles in the New Books section.  Every other one of them was about vampires.  Disheartened, I put my writing aside – though all my friends who had read it loved it and pleaded for more.

One of the most fun things about attempting to write this series is creating a new mythology for my own vampires.  It seems  one of their first mythical Big Men, Lugal (actually the father of Gilgamesh, the greatest semi-divine hero in Mesopotamian literature) was known for his incredible licentiousness.  In other words, he’d sleep with anything.  Wind Demons who populated the river plains wanted a corporeal body, so they offered themselves up to Lugal.  Their mating indeed produced offspring with bodies that resembled humans, but they also came equipped with a terrifying appetite for human blood – i.e., vampires.

So MY vampires are actually a form of super-predator that have been around for as long as humans have been; one of their powers is that they can actually utilize telekinesis that enables them to control the winds (which is where we get the myth that they were the offspring of Wind Demons.)   In my books, when the winds blow – watch out, for that is how they hide their rising after years of hibernation.  They do NOT get burned by the sun, nor do they sleep in coffins.  Their aversion to light, however, exists because they hunt humans only at night and their keen vision enables them to see as clearly in the dark as we do during the day; they avoid strong light simply because it’s agony on their eyes.  They are immortal, in the sense that they do not age, but the CAN be killed by several methods.

Their main defense, however, lies in the fact that after a few generations of terrorizing the countryside, they are driven by a hibernation instinct to burrow into the ground and disappear.  During the time they are gone, mankind forgets about them and turns them into myth.  Generations later, the vampires rise again – by this time merely shriveled bags of bones and leather – to once again maraud and terrify and feast.  The blood they ingest enables them to “read” the cellular memories of their victims, allowing them to understand the current language and to know what has occurred while they slept.

In my first volume, The Rising, the vampires discover that mankind has developed something fairly new – organized religion.  Their great predatory powers of swiftness and strength can convince humans that they are gods, and they begin to co-opt the temples.  They no longer have to hunt, you see, for they invent a new ritual – human sacrifice.  Thus their prey is driven to them.

Each book ends with the vampires once again “going to ground”, and in the next volume they rise into an entirely new historical era.  (In the second book they will become the gods Homer’s “Iliad”; the Trojan War, you will discover, was an internecine struggle between various tribes of Vampires, who utilized humans in their own civil war.)  And in the third book, set in Jerusalem about 2,000 years ago, we will see how Christianity itself was their product, too.  Surely you’ve heard of all that “blood into wine” stuff…well, now you know why.

Uniting all this will be my central couple, Aron and Enna.  Theirs is a love story that quite literally spans five-thousand years of history.  Newlyweds separated by the rise of Vampires, themselves made victims of it, they search for one another across time.  Aron will increasingly wish to discover what Vampires really are, and why some of their victims “turn”  – the only way they can reproduce – while others simply die.  In some volumes, Aron will be on the run, for humans (particularly in that little burg known as Transylvania) soon get wise to their ways and begin to hunt them down.  But through it all, we will see how Vampires were present at every great moment of human history.  It is also my conceit that when they rise, human fascination with vampires in arts and culture rise as well.

The last time they rose, you see, was in the late 1800s – just about the time that Bram Stoker’s little novel made an appearance.  But this new modern age is also an era when religion has receded for the first time and replaced by secularism – the biggest threat to the Vampire race.

That’s my Chronicles of the Sanguivorous in a nutshell.  I’m not going to give away anything more; for that you’ll have to plunk down your 99 cents. Whether you’re a fan of historical fiction or vampires, I hope you enjoy them – and be sure to write and let me know what you think.

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5 Responses to “Excuse Me, Are Those Your Fangs in My Neck? Part Two”

  1. cynicalcrysis April 8, 2012 at 6:31 pm #

    This plot actually really interests me – through this it’s obvious that a lot of work went into getting the research done for it, and it seems like you put a lot of work into putting together this fantastic plot you’ve got! I’m definitely going to keep this in mind to check out when I have the opportunity. Good luck with your series!

  2. chatsbyjamie April 10, 2012 at 2:04 am #

    This book sounds really interesting. I had a gander of your book on goodreads and decided to grab a copy for my Kindle. Plan on reading it within the next month. 🙂

  3. M.S. Fowle April 10, 2012 at 4:34 am #

    I love your adaptation of vampires – especially their ability to control wind, giving them a magical appeal. I also like how they develop, and nearly vanish, with history – how humans actually forget that they were real and thus turn them into myths and legends.
    I’ve added Sanguivorous to my wish list (waiting on my Kindle – haha!) and I can’t wait to read it! Good luck and congrats!
    P.S. I love the cover, too! 🙂

  4. simonpaulwoodward April 10, 2012 at 10:57 pm #

    That’s an ambitious project – good luck.

    • Brad Geagley April 15, 2012 at 9:39 am #

      Yeah, but a man’s goal should exceed his grasp, etc. etc.

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